In Melbourne, Rinaldo Di Stasio’s name is synonymous with fine dining – Italian style. For his latest venture, we wanted to reflect that DNA as well as his reputation as one of the city’s leading arts patrons. Yet we still wanted to create something with a personality all its own.
Città has no sign or building number. Instead, tinted glass doors flood the entrance with a red glow. A hidden button that opens the doors and a narrowing vestibule that leads to the dining room both add to the sense of theatre.
The venue features works by seminal Australian artists, including striking projections of Shaun Gladwell’s The Lacrima Chair and Reko Rennie’s OA_RR on Città’s hand-plastered, stucco walls, which give the space such a textured, tactile feel. Rennie’s billboard-sized public artwork, Visible Invisible, is also on display to the footpath.
During the design process, we modelled the slab-sided entrance in plywood, at full size, so we could actually experience the impact of our concept. This painstaking process and our close partnership with Di Stasio mean every detail here serves his singular vision for Città – a restaurant that looks and feels like no other.
OA_RR by Reko Rennie
